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The Kalesma Hotel Chapel in Mykonos: Black-and-White Byzantine Iconography by Saint of Athens

Saint of Athens and illustrator Gerasimos Hatzis have reinterpreted traditional Byzantine iconography with black-and-white frescoes at the Kalesma Hotel chapel in Mykonos. The design combines the island's minimalist architecture with contemporary graphic motifs and a monochrome color palette.

· 👁 0 views · ⏱ 1 min read · ✍️ Koçan Creative Editoryal Ekibi
The Kalesma Hotel Chapel in Mykonos: Black-and-White Byzantine Iconography by Saint of Athens
Source: Designboom
AI Key Takeaways
  • Saint of Athens and illustrator Gerasimos Hatzis have reinterpreted traditional Byzantine iconography with black-and-white frescoes at the Kalesma Hotel chapel in Mykonos. The design combines the island's minimalist architecture with contemporary graphic motifs and a monochrome color palette.

Athens-based creative agency Saint of Athens has reimagined traditional colorful Byzantine frescoes in a black-and-white palette for the Chapel of Saint Demetrius at the Kalesma Hotel in Mykonos. Brought to life in collaboration with illustrator Gerasimos Hatzis, the design bridges one of Christian art's oldest traditions with a contemporary visual language and theological framework.

Monochrome Design and Architectural Harmony

Designed by K-Studio, with interiors entrusted to Studio Bonarchi, the chapel carries the traditional architectural lines of the Cyclades islands. Reminiscent of Aegean island chapels with its white exterior, cubic form, and minimalist windows, the interior of the structure boasts a completely different atmosphere.

Curated by Saint of Athens, the project depicts the narrative of the Passion of Christ on the walls using exclusively black and white tones. In contrast to the vibrant colors of traditional Orthodox frescoes, the monochrome approach was chosen to preserve the symbolic ties of religious iconography, with only the gold leaf halos left colored. Furthermore, bold geometric motifs with tribal art influences, integrated into the compositions, create a modern rhythm alongside the flattened spatial language of Byzantine art.

Reflections for the Design World

This project presents a strong example of how religious and historical art forms, bound by rigid rules for centuries, can be blended with modern graphic design and architectural approaches. For designers seeking to create a minimalist and contemporary aesthetic without disrupting historical texture, the monochrome approach and integration of tribal motifs serve as an inspiring reference.

Frequently Asked Questions

Which elements of traditional Byzantine iconography were completely altered in the project?

The traditional, colorful palette used in the frescoes was entirely removed and replaced with a black-and-white monochrome language; only the gold halos were left in their original colors to preserve religious symbolism.

How does the exterior architecture of the chapel relate to the interior concept?

While the simple, white, and cubic forms of Cycladic architecture are preserved on the exterior, this minimalist outer shell offers a contrasting yet cohesive visual experience on the inside through contemporary graphic motifs and black-and-white frescoes.

*This news article was prepared based on data published by Designboom.

🔗 Source: Designboom
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